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Call
For Proposals 2007
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Look for a NEW up to date listings coming soon!
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ARCHIVED INFO
Liberty
State Park, NJ - 9/11
Memorial
Deadline
Extended to April 1, 2004
Deadline
for submission of proposals: April 30, 2004 at 3 p.m.
A
site visit is not required before registering for the competition.
The
State of New Jersey intends to set aside an area of the Northeast
end of Liberty State Park for a memorial to the New Jersey
citizens who lost their lives in the terrorist attacks of September
11, 2001. Proposers are challenged to design a memorial that
will communicate the course of events that day, capture the
personal and societal feelings of loss, and celebrate the strength
of character and resolve those events evoked from all freedom-loving
people, in a dignified and respectful way.
This
is a national, open, two-stage design competition, the purpose
of which is to select a Memorial Park design. The deadline
for submission of proposals is April 30, 2004 at 3 p.m. However,
registration closes April 1, 2004. Itis possible to register
online.
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New
York, NY - Harriet Tubman Memorial
Deadline:
March 26, 2004
The City of New York Department of Cultural Affairs
Percent for Art Program is working with the Departments
of Transportation and Design and Construction,
and the Manhattan
Borough President’s Office on the reconfiguration
of Harriet Tubman Square located at West 122nd Street andFrederick
Douglass Boulevard in Harlem.
The
newly constructed Square will be a permanent memorial to Harriet
Tubman, and
will include a commemorative sculpture. The City is seeking
artists to be considered for this commission. The successful
artist must be an experienced professional, with the ability
to work well on a team with City agencies and community groups,
and with a landscape architect who will design the environment
surrounding the sculpture. The project is
on a fast track, with a completion date of November 2005.
Artists
of color and women artists are encouraged to apply.
 The
selection of the winning artist will be made according to the
procedures of the Percent
for Art program managed by DCA. Artists'
information should include up to 10 properly labeled slides
of existing
work, a resume, artist's statement, press clippings
and/or additional information. Material will be returned only if
a self-addressed stamped envelope is provided. The deadline for
submission is March 26, 2004.
Submissions
should be sent to:
Percent for Art, Tubman Project
Department of Cultural Affairs
330 W. 42nd Street, 14th Floor
New York, NY 10036
No
phone calls please. The Percent for Art web site may be accessed
at www.nyc.gov/dcla for
additional information about the program.
Biographical information regarding Harriet
Tubman's life and
accomplishments is readily available. Below is a (by no means
comprehensive) selection of several sites with this type of
information:
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(Although
the postings below are past the entry date deadline, we feel
it is important to keep this information posted for those
who are interested in following up, and/or have submitted
entry materials.)
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Call
For Curatorial Proposals
The Bronx
River Art Center is looking for proposals for the
2004-05-exhibition season.
BRAC has six exhibits annually, three of which are from outside,
independent curators. The gallery is approximately 2000 square
feet, divided into two rooms.
Materials
required:
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A one-page abstract describing the proposed exhibition.
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Resumes of the curator and artists in the show
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Slides or CD Rom of the work of the artists for the show (these
do
not have to be pieces you will definitely put in the show,
but
are selected to illustrate your ideas.) Include at least two
images for each artist in the show.
-
A self addressed stamped envelope.
Send
Materials Postmarked no later than January
15, 2004
Mail
To:
Carl Eckhoff
Bronx River Art Center
1087 East Tremont Ave.
PO Box 5002
Bronx NY 10460
Any
questions e-mail: ceckhoff@bronxriverart.org
For more information see: www.bronxriverart.org
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------------------------------------------------------------------------------------------------------------ AFRICAN
AMERICAN MUSEUM
The African American Museum was founded in 1974 as a part of the Bishop College
Library. One of the main objectives of the Museum is the presentation of meaningful
experiences for children and adult audiences that would not ordinarily visit
a museum. The
38,000 square foot structure, built in the shape of a cross, is
made of ivory stone. It has a rotunda with a towering 60-foot gray
dome. Natural materials and design motifs are used throughout the
Museum in a manner reminiscent of pre-industrialized cultures of
the African continent. The window shape represents an abstraction
of the Dogon statue that is from Mali , West Africa . The shape
also represents the entrance to the group of Ethiopian Orthodox
churches that were excavated out of the rock in the 12 th century.
Sculpture garden walls emulate those of the Ndebele tribe of southern
Africa .
Devoted
to the preservation and display of African American artistic, cultural
and historical materials, the Museum's permanent collection includes
African art, African American fine art, and one of the largest folk
art collections in the country.
Located
at 3536 Grand Avenue in Fair Park in Dallas , Texas , the African
American Museum is located on a main axis in the park that is also
home to eight other cultural institutions. The Museum is open Tuesday
through Friday from Noon-5 p.m., Saturday 10 a.m.-5 p.m. , and Sunday
1 p.m.-5 p.m.
TWENTY-FIRST
CARROLL HARRIS SIMMS NATIONAL BLACK ART COMPETITION & EXHIBITION
In 1976, the African
American Museum initiated its first annual
competition for southwest black artists. The purpose of
the Competition
and Exhibition stemmed from the Museum's need to build a distinguished
art collection and to provide black artists a venue to
display their
work.
Over
the years, the Southwest Black Art Competition and Exhibition has
attracted the attention of artists beyond its geographical boundaries.
The Biennial competition has become a national event and has acquired
the prestigious distinction as one of the few black art competitions
in the nation.
In
1999, the African American Museum Board of Trustees named the Biennial
Southwest Black Art Competition and Exhibition the Carroll
Harris Simms National Black Art Competition and Exhibition. Renaming the
Exhibition is in recognition of Mr. Simms' outstanding contribution
to art and art education.
Carroll
Harris Simms attended Hampton Institute (now Hampton University
), the University of Toledo , and the Toledo Museum School of Art.
Under the direction of Otto Whitman, Jr., Simms was the premiere
recipient of the Gasline scholarship presented by the Toledo Museum
of Art. Simms was awarded B.F.A. and M.F.A. degrees from Cranbrook
Academy of Art in Bloomfield Hills, Michigan and became the first
African American to graduate from that institution.
In
1950, Simms joined the faculty of Texas Southern University (formerly
Texas State University for Negroes) and became the co-founder of
the art department. He served as Professor of Art until 1987. Professor
Simms developed a unique program of ceramics and sculpture at the
University. The body of terra cotta shrine sculptures created by
Simms' students, represent a distinct contribution to the evolution
of twentieth century African American sculpture.
ELIGIBILITY
The 21 st Biennial Carroll Harris Simms National Black
Art Competition and Exhibition is open to all African American artists residing
in the United States .
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ENTRY
SPECIFICATIONS
Work may be submitted in:
PAINTING/DRAWING/PRINTMAKING
SCULPTURE
MIXED
MEDIA
PHOTOGRAPHY
An
artist must have produced the work within the last two years and
be over the age of eighteen. No collaborative works will be accepted.
Each artist will pay a non-refundable entry fee of $5.00 per entry,
$20.00 for four entries. Check or money order should be made payable
to the African American Museum . Each artist may submit up to four
(4) actual pieces regardless of category or categories entered.
All work submitted must be for sale and available for exhibition.
Two-dimensional
work must not exceed 6' x 6' in any direction and may be represented
by one (1) slide. All work must be suitably mounted, framed and
supported with wire or metal ring hanging devices only. Oil paintings
must be dry; pastels and watercolors must be under plexiglas. Three-dimensional
work must not exceed 6' in any direction and may be represented
in three (3) slides. Individual works submitted should not exceed
a gross weight of 100 pounds.
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ENTRY
DEADLINE (October 22, 2003)
Post entry forms to: African American Museum, Attn: Kendall Ferguson
, P.O. Box 150153, Dallas, Texas 75315-0153.
Participants
must submit:
Entry
card along with a self-addressed stamped envelope (SASE) for
return.
35mm
slides marked with a “T” to indicate the top
of the slide and a red dot in the bottom of the left corner.
Include on
the slide the artist's name, title of work, completion date,
medium, size and entry number. Glass slides will not be
accepted.
An
artist's statement and current biographical information with
their
entry.
ENTRIES
MUST HAVE BEEN RECEIVED BY October 22, 2003
Final
entrants will be notified by October 27, 2003. Accepted work must
be received by November 21, 2003. Upon receipt of the artwork, withdrawal
will not be allowed from the exhibition.
DATES
TO REMEMBER:
Entries
Accepted
September
22, 2003-October 22, 2003
Panel
Review
October
25, 2003
Award
Notification and Accepted Works of Art
October
27, 2003
Accepted
Work Due by 5 p.m.
November
21, 2003
Show
Opening and Reception
December
5, 2003
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SHIPPING
Accepted work should be sent prepaid in crates or cardboard packages
suitable for return to the: African American Museum, Fair Park,
3536 Grand Avenue, Dallas, Texas 75210 .
Delivery
hours are Tuesday through Friday from 12 Noon until 5 p.m. only.
During State Fair (Sept 26-Oct 19) deliveries must be made before
10 a.m. each day.
Wooden
crates must be secured with screws. Nailed crates will be returned
unopened.
Cardboard
packages must be sturdy enough to withstand two-way shipping.
Any
container received damaged will be returned unopened.
All
in transit shipping and insurance costs are the responsibility
of
the artist; however, the Museum will insure all work while on display.
At
the close of the exhibition, all works will be returned prepaid
by the Museum.
All
work hand delivered by the artist must be picked up at the close
of the exhibition or a daily storage fee will be assessed.
The
African American Museum will not be responsible
for work left beyond the pick-up date after the close of the
exhibition.
FOR
INFORMATION CONTACT:
Kendall Ferguson, Program Manager
Telephone: (214) 565-9026 ext. 304
Email:
kferguson@aamdallas.org or
Phillip Collins, Chief Curator
Telephone:
(214) 565-9026 ext. 312
Email:
pcollins@aamdallas.org
Fax:
(214) 421-8204
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SEASON
SPONSORS
Official Carrier American Airlines, American Express, AT&T,
Bank of America, Texas, N.A., Bank One, BLOCKBUSTER, Bussey
Trucking,
The Dallas Morning News, Exxon Mobil, Frito-Lay, Inc., Guaranty
Federal Bank, KFC, KRBV/KHVN, Oncor, 7-Eleven, Inc., SBC,
Sprint,
State Fair of Texas, Texas Instruments, 21 st Century Group/Hicks,
Muse, Furst and Tate, L.L.C., WFAA-TV, and Wyndham International.
The
African American Museum is supported, in part, by the City of
Dallas
Office of Cultural Affairs, the Texas Commission on the Arts and
the National Endowment for the Arts, a federal agency.
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In
the meantime, would all HAA Members please email
their personal and organizational information to members@harlemaa.org
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